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The Ruins of the Old Kreuzkirche, Dresden
The Ruins of the Old Kreuzkirche, Dresden
Bellotto, Bernardo (1721-1780, Italian) Etching
Deux Paysans Dormant
Deux Paysans Dormant
Boucher, Marie-Jeanne Boucher (1716-1796, French) after Boucher, François (1703-1770, French) Etching on laid paper
Night Festival at San Pietro di Castello
Night Festival at San Pietro di Castello
Brustoloni, Giovanni Battista (1726-1796, Italian) Etching and engraving after G.B. Moretti and his son, probably derived from the painting by Canaletto (Constable 359)
San Giorgio Maggiore
San Giorgio Maggiore
Brustoloni, Giovanni Battista (1726-1796, Italian) Etching and engraving after Marieschi
A Shepherd Visiting Four Nymphs
A Shepherd Visiting Four Nymphs
Dietrich, Christian Wilhelm Ernst (1712-1774, German) after Van Poelenburch, Cornelis (1594-1667, Dutch) Etching on laid paper
Mother and Children
Mother and Children
Dietrich, Christian Wilhelm Ernst (1712-1774, German) Mezzotint
Nine Figures with a Bust of Pan to the Side
Nine Figures with a Bust of Pan to the Side
Fontebasso, Francesco (1707-1769, Italian) Etching on laid paper
Disparate de Bestia
Disparate de Bestia
Goya, Francisco (1746-1828, Spanish) Etching with aquatint
Disparate Conocido
Disparate Conocido
Goya, Francisco (1746-1828, Spanish) Etching with aquatint
Disparate Puntual
Disparate Puntual
Goya, Francisco (1746-1828, Spanish) Etching with aquatint
Todo va Revuelto
Todo va Revuelto
Goya, Francisco (1746-1828, Spanish) Etching, aquatint and drypoint
After, from the pair Before & After
After, from the pair Before & After
Hogarth, William (1697-1764, British) Etching and engraving
The Analysis of Beauty
The Analysis of Beauty
Hogarth, William (1697-1764, British) Letterpress text. The plates are signed as "Designed, Engraved, and Publish’d by Wm. Hogarth, March 5th 1753"
Battle of the Pictures
Battle of the Pictures
Hogarth, William (1697-1764, British) Etching
Before, from the pair Before & After
Before, from the pair Before & After
Hogarth, William (1697-1764, British) Etching and engraving
The Bench
The Bench
Hogarth, William (1697-1764, British) Etching and engraving on two plates, image and caption
William Hogarth, Boys Peeping at Nature, etching on laid paper, 1751
Boys Peeping at Nature
Hogarth, William (1697-1764, British) Etching on laid paper
The Bruiser
The Bruiser
Hogarth, William (1697-1764, British) Etching and engraving
Columbus Breaking the Egg
Columbus Breaking the Egg
Hogarth, William (1697-1764, British) Etching on laid paper
William Hogarth, A Company of Undertakers
A Company of Undertakers
Hogarth, William (1697-1764, British) Etching and engraving
Credulity, Superstition, and Fanaticism
Credulity, Superstition, and Fanaticism
Hogarth, William (1697-1764, British) Etching and engraving on laid paper
The Four Stages of Cruelty, the complete set of four etchings and engravings
The Four Stages of Cruelty, the complete set of four etchings and engravings
Hogarth, William (1697-1764, British)
Garrick in the Character of Richard III
Garrick in the Character of Richard III
Hogarth, William (1697-1764, British) Etching and engraving
A Harlot's Progress, the complete set of six etching and engravings
A Harlot's Progress, the complete set of six etching and engravings
Hogarth, William (1697-1764, British)
Hogarth Painting the Comic Muse
Hogarth Painting the Comic Muse
Hogarth, William (1697-1764, British) Etching and engraving on wove paper
The Invasion, the pair
The Invasion, the pair
William Hogarth (1697-1764, British) Two etchings on wove paper
Industry and Idleness, the complete set of twelve etchings with some engraving
Industry and Idleness, the complete set of twelve etchings with some engraving
Hogarth, William (1697-1764, British)
Martin Folkes Esqr.
Martin Folkes Esqr.
Hogarth, William (1697-1764, British) Etching and engraving
Marriage à la Mode, the complete set of six etchings and engravings
Marriage à la Mode, the complete set of six etchings and engravings
Hogarth, William (1697-1764, British)
Simon Lord Lovat
Simon Lord Lovat
Hogarth, William (1697-1764, British) Etching and engraving
Southwark Fair
Southwark Fair
Hogarth, William (1697-1764, British) Etching and engraving
A Stand of Arms, Musical Instruments, etc.
A Stand of Arms, Musical Instruments, etc.
Hogarth, William (1697-1764, British) Etching and engraving
Strolling Actresses Dressing in a Barn
Strolling Actresses Dressing in a Barn
Hogarth, William (1697-1764, British) Etching and engraving
Tail Piece (The Bathos)
Tail Piece (The Bathos)
Hogarth, William (1697-1764, British) Etching and engraving
Time Smoking a Picture
Time Smoking a Picture
Hogarth, William (1697-1764, British) Etching and aquatint
The Bull-Ring outside the Gate of Alcalá, Madrid
The Bull-Ring outside the Gate of Alcalá, Madrid
Joli, Antonio (c. 1700-1777, Italian) Etching and burin on laid paper
Antichità d'Albano e di Castel Gandolfo; Descrizione...dell'Emissario del Lago Albano; Di due spelonche ornate dagli antichi alla Riva del Lago Albano
Antichità d'Albano e di Castel Gandolfo; Descrizione...dell'Emissario del Lago Albano; Di due spelonche ornate dagli antichi alla Riva del Lago Albano
Piranesi, Giovanni Battista (1720-1778, Italian) Three complete sets of etchings and text bound in one volume with original soft binding; the sets include 33 etchings, 12 etchings and 13 etchings respectively
Prima Parte di Architetture e Prospettive Inventate
Prima Parte di Architetture e Prospettive Inventate
Piranesi, Giovanni Battista (1720-1778, Italian) Complete set of seventeen etchings plus title page for the Opere Varie
The Monumental Tablet
The Monumental Tablet
Piranesi, Giovanni Battista (1720-1778, Italian) Etching, engraving, drypoint, scratching on paper
Veduta dell' Esterno della gran Basilica di S. Pietro in Vaticano
Veduta dell' Esterno della gran Basilica di S. Pietro in Vaticano
Piranesi, Giovanni Battista (1720-1778, Italian) Etching
Veduta della gran Curia Innocenziana edificata sulle rovine dell’ Anfiteatro di Statilio Taurao, che formano l’odierno Monte Citorio
Veduta della gran Curia Innocenziana edificata sulle rovine dell’ Anfiteatro di Statilio Taurao, che formano l’odierno Monte Citorio
Piranesi, Giovanni Battista (1720-1778, Italian) Etching
Veduta del Ponte Molle sul Tevere due miglia lonton da Roma
Veduta del Ponte Molle sul Tevere due miglia lonton da Roma
Piranesi, Giovanni Battista (1720-1778, Italian) Etching
Veduta del Porto di Ripetta
Veduta del Porto di Ripetta
Piranesi, Giovanni Battista (1720-1778, Italian) Etching
A Kick-Up at a Hazard Table
A Kick-Up at a Hazard Table
Rowlandson, Thomas (1756-1827, English) Hand-colored etching and aquatint
A Sudden Squall in Hyde Park
A Sudden Squall in Hyde Park
Rowlandson, Thomas (1756-1827, English) Etching and color aquatint
Self-Portrait
Self-Portrait
Schmidt, Georg Friedrich (1712-1775, German) Etching on laid paper
The Seller of Pots and Pans
The Seller of Pots and Pans
Volpato, Giovanni (1783-1803, Italian) after Maggioto, Francesco (1750-1805, Italian) Etching on laid paper
A Barebreasted Young Woman
A Barebreasted Young Woman
Weiss, Bartholomäus Ignaz (1740-1814, German) Etching on laid paper
The Way to Save Trouble
The Way to Save Trouble
Woodward, George (1760-1809, English) Hand-colored etching and aquatint